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The Hod O'Brien Trio at Blues Alley

The Hod O'Brien Trio at Blues Alley

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Steven Cerra
Dec 26, 2024
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The Hod O'Brien Trio at Blues Alley
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© Introduction Copyright ® Steven Cerra, copyright protected; all rights reserved.

Although widely known and appreciated in Europe, outside of a relatively small coterie of devoted fans, Hod O’Brien, a sizzling, straight-ahead bebop pianist, has been one of the best kept secrets on the US Jazz scene for much too long.

In The Los Angeles Times, Don Heckman describes him as “a masterful bop-based improviser … his lines unfolding with an impressive blend of precision and propulsive swing." In The Montreal Mirror, Len Dobbin called him “the best bebop pianist this side of Barry Harris.” And Scott Yanow, in the L.A. Scene, wrote that Hod is the “unsung hero of Jazz … [a] master bebop pianist.”

A close listening to the three albums described in this feature which Hod and his trio of Ray Drummond on bass and Kenny Washington on drums recorded at Blues Alley in Washington, DC in July, 2004 will provide a good introduction to what the fuss is all about concerning this most impressive musician.

The context for the music released on these albums is that each represents a working set by the group, or if you will, three sets that you might have heard had you dropped by the club one night to catch the trio.

A special word should be put in about the song selection on these recordings as its rare to hear such a diversity of repertoire that ranges from Jazz originals such as Bob Dorough's Nothing Like You Has Ever Been Seen Before, Randy Weston’s Little Niles, and Sonny Rollins’ Pent-Up House, to a number of standards drawn from the Great American Song Book, to a collection of tunes by one composer – in this case, Tadd Dameron.

Since I could not improve upon them, I have included the insert notes by Pete Malinverni to describe sets one and two, and those by Hod himself to describe how and why set three came about. I had added four videos at the end of this piece to give you a taste of the flavor of Hod's music [sorry for mixing metaphors].

Hod O’Brien at Blues Alley: First Set [Reservoir RSR CD 180]

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